en http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ Thu, 1 Jan 1970 00:00:00 +0000 Thu, 1 Jan 1970 00:00:00 +0000 60 http://www.audioscrobbler.net/data/webservices http://www.last.fm/user/fabrykamagazine/journal The Last.fm journal for fabrykamagazine. Last.fm journals are a place to talk about all things music. http://www.last.fm/user/fabrykamagazine/journal/2013/05/23/5txm85_interview_with_fake_empire_-_electronic_music_from_new_zealand Thu, 23 May 2013 09:51:27 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/05/23/5txm85_interview_with_fake_empire_-_electronic_music_from_new_zealand

Scott Brown: Fake Empire is still in it’s early days and my goal has always been to fuse electronic and more traditional instruments together, I want to draw from as wide a scope as possible when creating music. This makes defining it in a genre a little tricky as some songs may be heavily guitar driven while others focus on a more ambient electronic sound, it really depends on my mood when I sit down to experiment as to where my focus goes.

Full interview on Fabryka Music Magazine: http://industrialrock.net/php-files_en/articles.php?article_id=482

[youtube]https://www.youtube.com/watch?v=fvnqP4tqE9w[/youtube]

Tags: electronic, industrial, ambient, new zealand, File Transfer Protocol, discover new music, discover new artist, fabryka magazine, interview, 2013]]> http://www.last.fm/user/fabrykamagazine/journal/2013/05/14/5torkg_celestial_fury_-_we_all_float_down_here_pt._1_review_djent_2013 Tue, 14 May 2013 17:41:25 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/05/14/5torkg_celestial_fury_-_we_all_float_down_here_pt._1_review_djent_2013 Celestial Fury - We All Float Down Here Pt. 1 (song review) |self-released, single, 2013| 5/5

djent is a relatively new music genre, derived from metal. The music scene needs a variety of genres not just to categorize bands and market songs but also to form new subcultures. These new subcultures will often speak for an entire generation, its interests and dislikes. The Djent style may grow to the size of Grunge (which to me was the last meaningful and well tagged landmark of a Rock subculture) or may be left only in hands of those passionate about it. However, it's undoubtedly one of the most intense styles of music locked within usually instrumental, experimental arrangements, characterized by polyphonic rhythm and performed with low tuned 6, 7 or even 8-string guitars.

"We All Float Down Here Pt. 1" is a song drawing on Djent roots. The idea is based on two musical themes. One covers a Post-Rock intro, arranged for gentle sounding guitars. There are traditional folk music influences weaved into acoustic guitar sections. Alasdair Cooper, who wrote, performed and produced the track has been living in the Scottish Highlands.
The other line creates the core rhythm, brought by a low tuned 8-string guitar and drums. It is further enriched with a few solos as well. Both cleverly interlace the composition throughout it’s 5 minutes duration.

A collision of soothing Post-Rock with distorted sounds, Djent may seem to stay in sharp contrast but in fact the one underlines values of the other. Such an amount of digitally processed, syncopated riffs may sound overwhelming but they become riveting when broken with lighter (but by no means melodic!) parts. Moreover, it may be not difficult for some to make Djent, but it's hard to say if there's any limit where an experimental composition should end. Such is the case with "We All Float Down Here Pt. 1" a new section based on polyphonic tunes could be easily added to the track as long as it's kept far from being tedious.

However both Djent and its close neighbour, progressive metal need skilled guitar players to make it significant. Alasdair, 20 year old guitar player from Glasgow, UK sounds like the one, judging by the way the composition evolves it’s many peaks and bridges. The guitar roars, spins and cries in his hands. Having spent over 8 years playing the instrument, this self-taught musician should definitely stick with this career path. His favorite bands include Opeth and Meshuggah but also Periphery, Uneven Structure and Vildhjarta. If you enjoy these, you should also listen to Alasdair Cooper.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, May 13th, 2013)
This review on Fabryka Magazine: http://industrialrock.net/php-files_en/articles.php?article_id=481

http://www.youtube.com/user/coopieification
http://soundcloud.com/alasdaircooper-1
http://eilidhstewart.blogspot.co.uk/

Buy on: http://alasdaircooper1.bandcamp.com/

Tags: music review]]> http://www.last.fm/user/fabrykamagazine/journal/2013/05/07/5thbmh_dead_day_revolution_-_children_of_the_night_review_punk_rock_2013 Tue, 7 May 2013 08:46:54 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/05/07/5thbmh_dead_day_revolution_-_children_of_the_night_review_punk_rock_2013

Dead Day Revolution - Children of the Night (song review) |self-released, On Our Own, 2013| 5/5

Los Angeles based trio, Dead Day Revolution was founded by Mike Sandoz (vocals/guitars) and Skeeter Joplin (drums) in 2009. Bass player, Cristian Sturba joined the band soon after. This viral and actively social collective of musicians has been working on a debut album for the last two years. Here is it’s foretaste.

"Dead Day Revolution" is a title well known in both literature and music. The original song, by Dead Day Revolution sounds truly passionate. It is performed with a rebellious drive, quite typical in punk-rock music. How else would this style of musicians express their opinions if not making it loud and noisy? Yet the vibe remains positive.

The track starts with noisy guitars that basically take the lead. The riffs are then joined by solid, memorable vocals. Mike purposely vibrates his voice like John Lydon (Sex Pistols) to create an impression of impatience in this already high-energy song. Impatience is a key characteristic of getting ready for an action. Whoever has an idea and is driven towards making changes will feel impatient, wanting to make them happen. Thus, these musicians make a call to action instead of expressing their views through passive criticism.
It should be also mentioned that both drummer and bass player perfectly cooperate throughout the entire song, very well mixed and produced by Larry Goetz.

This track is short enough for a radio exposure (3:24) but extensive in its detail as well. The composition utilizes a method of balancing moods through slowing down the rhythm in the other half. Without it, the song might have sounded overwhelming to a listener's ears due to its fast tempo.

"Children of the Night" has hit potential as well, since it is repetitive but by no means boring. If you're looking for music similar to what's been offered by Green Day, Billy Idol, PiL or Smashing Pumpkins, you should give a listen to Dead Day Revolution too. Their music will not only fit your personal playlist, but college radio stations as well.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, May 6th, 2013. Proofreading: SanDeE)
This review on Fabryka Magazine: http://industrialrock.net/php-files_en/articles.php?article_id=480

http://www.deaddayrevolution.com
http://www.facebook.com/deaddayrevolution
https://soundcloud.com/deaddayrevolution
http://www.reverbnation.com/Fdeaddayrevolution
http://www.youtube.com/thedeaddayrevolution
http://www.last.fm/user/deaddayrev
http://www.myspace.com/deaddayrevolution
http://www.ourstage.com/profile/drbbaiqzhhnp
https://twitter.com/DeadDayRev

Buy on: http://www.cdbaby.com/cd/deaddayrevolution/from/fabryka

Tags: music review, discover new music, punk, rock, fabryka magazine]]> http://www.last.fm/user/fabrykamagazine/journal/2013/04/23/5t2lli_gemini_syndrome_-_short_interview_(2013) Tue, 23 Apr 2013 07:42:37 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/04/23/5t2lli_gemini_syndrome_-_short_interview_(2013)

Aaron Nordstrom (vocals, formerly in Otep) Gemini are twins and that is the reflection of balance. Yin Yang, positive negative. Entropy Order. They all fall into the name. To have duality, you need both sides.

Read this interview on Fabryka Music Magazine: http://industrialrock.net/php-files_en/articles.php?article_id=479

Tags: Gemini Syndrome, interview, discover, Otep, metal, Device, David Draiman, Disturbed]]> http://www.last.fm/user/fabrykamagazine/journal/2013/04/19/5sydbb_malcolm_tollan_-_what_will_i_do_without_you_review_rock_blues Fri, 19 Apr 2013 09:46:06 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/04/19/5sydbb_malcolm_tollan_-_what_will_i_do_without_you_review_rock_blues Malcolm Tollan - What Will I Do Without You (song review) |Texas Rose Records, The Malcolm Tollan Project, Vol. 4, 2011| 4/5

It's not a secret that music has its biggest impact during the teenage years or at least into early your 20's. Then your taste turns to more specific tunes or genres which could still change years later, yet you continue to return to the songs you loved as a youngster. Even though they may sound old-school these days. These specific songs touched a hidden part of you back then and now let you reconnect with your younger, emotional ego. Regardless whether the songs bring good or bad memories, they're always about the intense issues you faced in your past.

If you grew up in the 70’s and still miss the Hippie culture, you can jump back into that time again by listening to "What Will I Do Without You" without needing to dust off any old LPs. It’s a beautiful ballad kept in a vibe of rock and blues music. Every part of this composition appears soothing to the ears. From the slow tempo and classic arrangements through Hendrix & Santana-esque plaintive guitar riffs, to soft drum beats and warm bass lines. In addition, singer David Black vocals stay in a perfect match with memorable and repetitive arrangements.

The ending phrases of the song with leading guitar tunes and keyboards in the background even sound a bit Progressive. It seems to be a popular and effective method to end such a composition. Making the final part of a track can be a challenge for a songwriter or composer. However the American-born Malcolm Tollan can be called an expert after 50 years as a songwriter, first inspired by The Beatles who triggered his interest in a music career. You'll find this influence in his other work too.

The main feeling brought up by this track is loneliness, therefore "What Will I Do Without You" sounds like a perfect fit for a movie soundtrack as well. It could accompany romantic love scenes, a lone highway drive or any classic cinema moments. Moreover, the same theme holds a sentiment towards by-gone events. This way, the song could illustrate one's past happy days played out in slow motion and supported by original, scratched and torn photographs.

"What Will I Do Without You" is an interesting listening experience whether you wish to travel into the past or if you prefer to discover further plains.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, March 18th, 2013. Proofreading: SanDeE)
This review on Fabryka Magazine http://industrialrock.net/php-files_en/articles.php?article_id=478

http://www.myspace.com/malcolmtollan
http://malcolmtollan.wix.com/malcolmtollan
http://www.jango.com/music/Malcolm+Tollan?l=0

Buy:
http://www.amazon.com/The-Malcolm-Tollan-Project-Vol/dp/B0056MJDAK
http://www.tunecore.com/music/malcolmtollan

Tags: music review, song review, blues, rock]]> http://www.last.fm/user/fabrykamagazine/journal/2013/04/12/5sr35i_maximum_sexy_pigeon_-_interview_2013_-_industrial_metal_australia Fri, 12 Apr 2013 11:28:02 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/04/12/5sr35i_maximum_sexy_pigeon_-_interview_2013_-_industrial_metal_australia

NINa: Of the three characteristics: anger, original concept, satirical provocation - which are the most important for you to express through music and deliver to the listeners?

YOK: Satirical provocation, for sure. Anger can be faked and concepts can fail miserably, but satirical provocation can't be faked or half-arsed. I am not much for listening to lyrics, but if someone is clever enough to twist available words and phrasing about particular situations and make them hilarious yet fiercely intelligent, I am all ears.

Read full interview at http://industrialrock.net/php-files_en/articles.php?article_id=477

Tags: interview, Maximum Sexy Pigeon, industrial metal, australia, fabrykamagazine]]> http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sovzj_progressivenz_-_to_the_wolf_song_review Wed, 10 Apr 2013 14:07:43 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sovzj_progressivenz_-_to_the_wolf_song_review Progressivenz - To The Wolf (song review) |self-released, single, 2011| 3/5

Rhys Williams is a songwriter and composer hailing from Christchurch, New Zealand who performs under the guise, Progressivenz. Since the city suffered an earthquake in 2010, his music has been related to this tragic event. However not exclusively, Rhys writes songs in support of people who struggle with personal drama.
He operates within a few different styles of music, so don't be surprised when a song fitting the Blues vibe is followed by a track with a touch of Electronica.

"To The Wolf" could fall under the category of Experimental Sound Design, but includes heavy guitar riffs. It's not arranged in a classic song structure. Instead you'll hear a 7 minute long composition, filled with multiple themes.

The track begins with gentle synths and modified vocals giving it an Electro/Pop motif, then followed by various sound effects. Rhys creates a mood of fear, with the feeling of a chase. There's a story coming out of it. You'll hear screaming kids, a howling wolf and a scared woman’s heavy breathing. These topics repeat until a heartbeat effect appears.
Later, the 'wolf's’ theme is replaced with a new part of the composition. Initially the keyboards dictate the rhythm, but after a while they’re joined by Heavy Metal guitar riffs, bass and drums. These give the track a new and aggressive energy with tight dynamics. A synthesizer that steals a listener’s attention for a moment accompanies the riffs, then the opening Electronica phrase and vocals return to end the composition along with the voices of howling wolves.

There are a few interesting ideas presented within "To The Wolf" but the entire composition hasn't been arranged terribly well. Rather than presenting a truly exhilarating song, it sounds more like a tutorial on how to utilize various sound effects and accompaniments. While guitars stay as the focal point of the track, the unstructured composition is missing a spine. It's too drawn out and too loose, despite repetitive motifs. Therefore it may leave a listener confused, as their attention hasn’t been drawn enough. A solid rhythm rolling throughout the entire composition could glue these seemingly separated parts.

A final note, it should be underlined that Rhys sounds like a skillful guitar player. Real Metal will never die nor lose fans, and yet Metal doesn't need any conceptual changes either. It'd be great if Rhys focused entirely on making heavy guitar driven tracks but avoided mismatching a few styles of music within a song.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, April 5th, 2013. Proofreading: SanDeE)
This review on Fabryka Magazine: http://industrialrock.net/php-files_en/articles.php?article_id=473

http://www.youtube.com/user/MrRhys5555
http://www.youtube.com/watch?v=Zzt3LYuhK5U
http://soundcloud.com/progressivenz]]> http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sovvz_phil_g_band_-_reality_song_review Wed, 10 Apr 2013 14:04:51 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sovvz_phil_g_band_-_reality_song_review Phil G Band - Reality (song review) |self-released, Eureka, 2013| 4/5

Phil Gibbons (guitar, vocals) and Marco Degiorgi (lead guitar) who founded the Phil G Band have been playing music for many years. However, both band members don't seem to be too desperate to become rock stars or in the least, don't rely on making big money from the music industry. They work in Saudi Arabia where they both compose and perform live for their own pleasure.
Since the British/Italian duo share similar music interests, a simple collaboration resulted in the recording of a whole album entitled, Eureka. For the purpose of recording it, Phil and Marco were accompanied by session drummer, Tom Hooper who at one time played with Grace Jones and Christian Garrick, also with a bass player known as, “The Gov”. Matt Butler who is better known for his work with Paul McCartney, Phil Collins and Mick Jagger produced the album at Rockfields Studio.

Having well known names attached to a release is undoubtedly helpful in spreading the word about the band. Yet their music speaks well for itself too. This is a traditional sounding blues song; the vocals are soothing and match the composition and the song’s positive mood. The musicians seem to be sharing the same level of discipline, giving them strength in their performance. Neither leads ahead of the other up or shows off individual skills. The balance between vocal and instrumental parts seems to be equal.
"Reality" covers a topic of a happy relationship: "Feel your lips next to mine, Want you with me all the time, Is this real real". The lyrics are short, repetitive and therefore memorable.

When it comes to the musicians' influences, Phil cites The Beatles, Pink Floyd, Manic Street Preachers and Marvin Gaye, while Marco points out some no-less-famous 70s/80s artists including Joni Mitchell, John Mellencamp, Bob Dylan and Bruce Springsteen. "Reality" creates an atmosphere familiar to the music composed by these artists as well. If you like a traditional approach to music, you should definitely check the song out as well as the other compositions from Eureka.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, April 5th, 2013. Proofreading: SanDeE)
This review on Fabryka Magazine: http://industrialrock.net/php-files_en/articles.php?article_id=474

http://www.philgband.com/PhilGBand/Home.html
https://soundcloud.com/phil-g-band
https://www.facebook.com/PhilGBand
http://twitter.com/philgband
http://www.youtube.com/watch?feature=player_embedded&v=gFwzM3ECNyQ
http://www.jango.com/music/Phil+G+Band?l=0

Buy:
http://www.cdbaby.com/cd/philgband/from/fabryka
http://www.emusic.com/album/phil-g-band/reality/13828948/
http://www.amazon.com/Reality/dp/B00B0L03C8]]> http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sovi2_paper_dolls_-_quietly_killed_song_review Wed, 10 Apr 2013 13:50:20 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sovi2_paper_dolls_-_quietly_killed_song_review Paper Dolls - Quietly Killed (song review) |self-released, DILF Parade, 2012| 3/5

American duo Matthew 'Sosam' Banks and Ramon 'Saysong' Madera founded Paper Dolls in 2012. Despite the young age of the band, the musicians have recorded two albums so far - DILF Parade which is still available for a free download, and the recently released, Here's To Getting On With It: Part One. Beyond that the band publishes new songs weekly, appearing to either be following the new Indie DIY business method or simply enjoying their own creativity.

"Quietly Killed" was released on DILF Parade. The song is built upon repetitive and simplified arrangements and falls into a Punk genre definition. However, there's some duality in Paper Dolls’ music. The seemingly airy, chaotic and hallucinatory mood of the song results from solid calculation. While a dirty guitar continuously fills the entire track (with a few solos), the bass and drums work well together keeping the listener focused on a tense but jumping rhythm. The musicians are tight and perform very well together on this composition.

Most of Paper Dolls’ songs including "Quietly Killed" could be compared to early 80s music, presented by such bands as Sex Pistols, Joy Division, The Pixies, Sonic Youth and The Smiths. There are also echoes of Talking Heads when it comes to the vocals, performed in an "I'm high, I'm nervous and I'm lost" frame of mind, delivered by a fragile man.

On the downside, quality still matters. Apparently, a mastering concept chosen was to make "Quietly Killed" sound gritty. Sadly, only its quality feels lowered. As a result, the song fractures when played on a generic, domestic audio playback device. EQ settings may need adjustment to avoid buzzing and other harmonic distortion. Undoubtedly the cost of professional mastering may seem too expensive for the average musician, but good quality mastering can let a song keep its 'garage-like' quality without making it sound poor. Since Paper Dolls may have a chance to become a New Artist Discovery, hopefully they can find a way to cover such an expense through fundraising possibilities.

This band hasn't played any shows yet but it seems the musicians are looking to match opportunities. Be sure to visit their Reverbnation and Jango pages for fresh updates.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, April 5th, 2013. Proofreading: SanDeE)
This review on Fabryka Magazine: http://industrialrock.net/php-files_en/articles.php?article_id=475

http://thepaperdollsband.net
http://www.reverbnation.com/paperdolls
http://www.facebook.com/pages/Paper-Dolls/283097308471567
http://www.jango.com/music/Paper+Dolls?l=0
http://www.reverbnation.com/paperdolls/song/16439793-quietly-killed

Buy: http://www.reverbnation.com/store/store/artist_2862708?item_type=music]]> http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sov4x_witchgrinder_-_interview_(2013)_industrial_metal_australia Wed, 10 Apr 2013 13:35:01 +0000 http://www.last.fm/user/fabrykamagazine/journal/2013/04/10/5sov4x_witchgrinder_-_interview_(2013)_industrial_metal_australia

Witchgrinder

NINa: You have four new songs available to stream online but you also play local gigs and your tour kicks off in two months. What can you tell us about the main concept behind your debut album, The Demon Calling scheduled for release in May this year?

Travis: The new album is a lot darker than our previous work. To be honest I don't think this was a planned thing. Playing and listening to faster and heavier bands I think had a slight influence on this.

Full interview: http://industrialrock.net/php-files_en/articles.php?article_id=476

Tags: interview, industrial metal, australia, fabrykamagazine]]>